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Ce volume représente un pari : il s’agit d’interroger la pluralité de l’esthétique sans la réduire à la variabilité des point de vue sur les œuvres de l’art. C’est donc l’idée esthétique elle-même dont on entend ici évoquer les visées contraires. Pour cela, on a choisi d’engager une démarche qui serait elle-même plurielle : aborder le principe de création ou l’expérience de beauté selon un angle conceptuel à chaque fois différent, qui permette de croiser, autour du rapport à l’œuvre d’art, le rejet ou l’invocation de la subjectivité, la référence au possible ou à l’imaginaire, la mesure de l’échec ou la loi de l’exaltation, le suspens ou le réancrage de l'historicité : bref, la loi de l’œuvre et la recherche d’une règle. À travers Kant ou Valéry, entre Benjamin et Kafka, de l’idée musicale à l’expérience poétique, le paradoxe de l’art décline ainsi ses variantes. Il se prolonge dans la démarche d’une jeune artiste faisant courir, de texte en texte, la trace minimaliste d’un mode sériel d’exploration.

Aesthetics. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics --- Aesthetics --- musique --- cinéma

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The subject of the book is the organic link that connects the two thematic sides that define the field of Aesthetics: the theory of perception and reflection on the arts. The apparent redundancy contained in the title intends to underline how the interweaving between perception and the work of art is structural and organic, thus recalling the theoretical urgency of this problem for an effective understanding of the dynamics of the meaning of art as a "symbolic form" in which the relationship between mind and world is embodied in an exemplary way. The volume is divided into three parts. The first presents nuclei of reflection arising from contemporary perspectives "outside the chorus". The second deals with different frameworks of perception theory.

Perception (Philosophy). --- Art --- Philosophy. --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Philosophy --- Analysis, interpretation, appreciation --- Filosofia --- Estetica --- Arte --- Saggi

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This spirited exploration of the interfaces between art and theory in the 21st century brings together a multidisciplinary range of viewpoints on their future. The authors examine contemporary visual culture based on speculative predictions and creative scientific arguments. Focusing on seven themes - Future Tech, Future Image, Future Museum, Future City, Future Freedom, Future History, and Future Future - the book shows how our sense of the future is shaped by a visual rhetoric of acceleration, progression, excess and destruction. The essays reflect collaborative work between the Stedelijk Museum Amsterdam, the Amsterdam School for Cultural Analysis at the University of Amsterdam, De Appel Arts Centre, W139–Space for Contemporary Art, and the art magazine Metropolis M. Discussing provocative themes like future history and future freedom, ‘Facing Forward’ is an energetic look at how our visions of the future affect how we depict the world around us.

Art --- Future in art. --- Art, Modern --- Philosophy. --- Contemporary art --- Modernism (Art) --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Analysis, interpretation, appreciation --- 2000-2099 --- art theory --- futures --- art

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Aiste Celkyte shows us that Stoic views about beauty were substantial and compelling.

Stoics. --- Aesthetics. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Ethics --- Philosophy, Ancient --- Psychology --- Radio broadcasting Aesthetics --- Aesthetics

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This book takes seriously the transformation of art into philosophy, focusing upon the systematic interest that so many European philosophers take in modernism. Among the philosophers Gerald Bruns discusses are Theodor W. Adorno, Maurice Blanchot, Arthur Danto, Stanley Cavell, Hans-Georg Gadamer, Michel Foucault, Gilles Deleuze and Felix Guattari, Jacques Derrida, Jean-François Lyotard, Jean-Luc Nancy, Philippe Lacoue-Labarthe, and Emmanuel Levinas. As Bruns demonstrates, the difficulty of much modern and contemporary poetry can be summarized in the idea that a poem is made of words, not of any of the things that we use words to produce: meanings, concepts, propositions, narratives, or expressions of feeling. Many modernist poets have argued that in poetry language is no longer a form of mediation but a reality to be explored and experienced in its own right.

Poetry --- Poetry. --- Art --- Aesthetics. --- Poems --- Verses (Poetry) --- Literature --- Radio broadcasting Aesthetics --- Aesthetics --- Beautiful, The --- Beauty --- Art and philosophy --- Criticism --- History and criticism. --- Philosophy. --- Philosophy --- Analysis, interpretation, appreciation